little say in principle names Rodrigo Blaas, Carlos Baena Enrique Vila, but then the interest increases if they are the only explains English-three designers of a team of 300 - the latest gem from Pixar, the robot love Wall.E , which hits theaters on August 6. They humbly take his pike in San Francisco and joke when asked if it can be higher in their discipline after being part of Pixar (author of, among other gems like Finding Nemo, The Incredibles or Ratatouille), but all three agree in praising "the work environment of the study, which take care above all the creativity of designers. "
"Besides his artistic philosophy goes further and do not treat the animation as a genre, as something only for children but as a means of telling all kinds of stories," added Rodrigo Blaas Granada in a joint interview. That twist pursued in every Pixar film Wall.E is now through various "betting de riesgo", tal y como explica el canario Carlos Baena, como por ejemplo el atreverse por primera vez con la ciencia ficción (siguiendo la estela de filmes como La Guerra de las Galaxias o Blade Runner ), la primera media hora muda o la ausencia de grandes actores entre los dobladores.
"Eso ha hecho que nuestro trabajo al diseñar gane en profundidad y emotividad, puesto que en los gestos tiene que explicarse todo", apostilla Carlos, quien junto a Rodrigo Blaas se ha encargado precisamente de dotar de sentimiento a los personajes, para lo que fueron ayudados por un grupo de psicólogos. El cometido de Enrique Vila, que ya trabajó en Matrix , es sin embargo mucho más abstracto, since it takes care of effects like fluids, clouds or dust storms that cause much fear on the screen Wall.E.
"My favorite scene is when the ship off course into space, so I studied a lot of documentaries for NASA," said Enrique before explaining: "Nine months of work for thirty seconds." In total, nearly four years of work for 103 minutes beginning when Wall.E (abbreviation of "waste load Lifters Earth-class") appears as the last robot that is cleaning up, just barely, the waste land that humans left before leaving the planet and "drowse" until the conditions for return are restored, in a spaceship thousands of miles.
Then comes the encounter with the stylized robot EVA, which will be totally captivated Wall.E (hybrid RS-D2 and Short Circuit ), the plant that are, a visit to the ship, hypermarket and many more adventures with men and in between. Or what is the same, and according to Henry, "a critique of brutal, but kind, funny and constructive."
"It is very important attention to detail that we had," says Carlos Baena. "Especially in that first half hour without dialogue in which we must be clear all only through the actions of Wall.E for whom the viewer can not miss," he says. A spectator type Pixar moves beyond a younger audience, but also having you in mind as the engine propelling adult theaters. In this sense, if it is true that Henry admits that something they could escape to the children because "there is much to read between the lines," Rodrigo is clear: "they understand much of what we believe."
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